I used 3mm foam core board, attached thin batting to the board, pinned and then laced the stitching. And the frame is from Rinkits.com.au – one of the shadow box frames (that way the cross stitch is not touching the glass).
I have re-started my Scout Shawl. I am finding it much easier to knit with straight needles. I have gone down to 3.25mm needles – I was using 4mm before, and I much prefer the fabric.
My yarn for the Choose Your Own Knitventure has arrived. The pattern is written by Lauren Rad and Beth Kirkpatrick (I think it comes out this weeK). The yarn is from Frosted Stitch (Floribunda and Moonflower – I believe the yarn is dyed especially for this project).
I needed an easy project, while I was waiting for Officeworks to print my Scout Shawl pattern (it’s all gone horribly wrong and I am restarting. I am taking this opportunity to use smaller needles because I didn’t like the fabric I was creating.
I used the Family Time Dishcloth pattern (it’s free!) and cotton from Spotlight – it’s Abbey Road Kung Fu Cotton. Whenever I am at Spotlight I have a quick look in the cotton yarn aisle to see if they have any nice colours of cotton.
This was a lovely design to work, just the right amount of stitches to keep you interested, but not enough to feel that you were never going to finish this piece.
At my stitching class I have been using my sit-on hoop stand (which I really like), but it means I have to push my chair back from the table, and, as the room is small, I felt like I was getting in everyone’s way.
So I bought this one.
I am working on my Modern Folk Embroidery Home Sweet Home
I bought it from Amazon, but I have seen similar ones on Etsy. I like it. It holds the hoop very securely – not wobbly at all, and you can access the back very easily. Hoops, fames and Q snaps of multiple sizes will fit.
It didn’t come with instructions, but it was quite easy to put together.
I have had this book for a very long time. I am not sure why I took so long to read it – it is a quick read with beautiful illustrations.
Here’s the description
From the costly velvets and furs worn by kings to the undyed wools and rough linens of the peasantry, the clothing worn by the various classes in the Middle Ages played an integral role in medieval society. In addition to providing clues to status, profession, or geographic origin, textiles were a crucial element in the economies of many countries and cities.
Much of what is known about medieval fashion is gleaned from the pages of manuscripts, which serve as a rich source of imagery. This volume provides a detailed look at both the actual fabrics and composition of medieval clothing as well as the period’s attitude toward fashion through an exploration of the illuminated manuscripts in the collection of the J. Paul Getty Museum. The last portion of the book is dedicated to the depiction of clothing in biblical times and the ancient world as seen through a medieval lens. Throughout, excerpts from literary sources of the period help shed light on the perceived role and function of fashion in daily life. The book accompanied an exhibition of the same name that was on view at the J. Paul Getty Museum from May 31 to August 14, 2011.
It is beautifully illustrated, for example
Page from Fashion in the Middle Ages
If you’re interested in textiles, fashion, or manuscripts, then this book will interest you.