Scout Shawl by Florence Spurling (image from the pattern)
Now that the blanket knitting marathon is over I am going to start a new project. I bought the kit for this shawl a few years ago (so long ago I can’t remember where I go it – I think it was from here and I have kit 1).
My colours for the shawl
I wound them into balls a couple of days ago and now I am ready to start knitting.
I have been working on this blanket (mostly monogamously) for 18 months. I am super keen to knit some socks!
The pattern is the Moderne Log Cabin from MDK (published in Mason Dixon knitting). I made a mistake, and then just continued adding rectangles until it reached the size I wanted. I used Classic 8ply yarn from Bendigo (superwash) in the following colours (you can see all of the colours in the top image)
I am still plodding along on Miss P’s blanket, but every now and then I need a bit of a change. I have started a new pair of socks – I have joined the Golden Honey Sock club, and this is my version of the Duke Who Gives it All Up socks. I think another pattern comes out in May so I need to get a move on.
I am using a yarn from Elsie Gray’s (my Albany souvenir yarn) and my usual 2.25 knitting needles.
I read about cashmere, merino, nylon sock yarn and so, of course, had to get some. I bought them from ZigoZago, a shop in country Victoria (the service was fabulous and my yarn arrived within days!).
The one on the top in the image is Dream in Colour Smooshy Cashmere in the sonoran magic colourway, the one at the bottom is tôt le matin sock in the Jane Doe colourway (it doesn’t have any cashmere, but I loved the colour and it was the same postage for one skein or two).
I am not sure where I first heard about this book, Brenda Dayne may have mentioned it on her podcast. I found a copy on Abebooks and it slowly made it’s way to me (I wasn’t in any hurry).
Here’s the blurb …
In an era of global warming, war, escalating expenses, declining income, and drugs and violence in schools, many mothers feel they have little control over their families or their worlds. Nora Murphy eloquently demonstrates that many women do control one tiny thing: their next stitch.
While tracing the frustrations and joys of knitting a sweater for her son through the course of one cold, dark Minnesota winter, Murphy eloquently brings to life the traditions and cultures of women from many backgrounds, including Hmong, American Indian, Mexican, African, and Irish. Murphy’s personal stories — about her struggles to understand esoteric knitting patterns, her help from the shaman of the knit shop, and her challenges sticking with an often vexing project — will appeal to knitters as well as everyone else who has labored to create something from scratch.
We follow Nora as she knits her son a jumper and muses on the roles of knitting, textiles and craft in the lives of women. Ms Murphy’s writing style is conversational, you feel like you are sitting together knitting over a cup of tea.
If you like knitting, social history, women’s history, then you will enjoy this book. It is an easy read, with short chapters (I did a lot of ‘just one more chapter’).