I have been having chemotherapy and now have neuropathy in my fingers and toes. I wasn’t sure how this would affect my embroidering, but it hasn’t made any difference. I have been able to work on my Halloween Cat project.
This is a Satsuma Street design. I am using DMC threads and a 25 count linen (2 strands over 2 threads).
I finished! This project languished because I struggled to see the stitchers clearly. I got new glasses and while that helped it didn’t solve the problem. However, I bought this magnifier and it has made a huge difference.
The pattern is My Lady’s Quaker from Jardin Prive. I did it on a 32 count Belfast linen (from Zweigart). The black is standard DMC 310 and the red is a variegated DMC 115.
I started it in February 2018, so 18 months to finish it (although it’s about the process).
Christmas Sock and Live Simply Cross Stitch Progress
It’s a new year! Happy New Year everyone. I don’t have any resolutions for this year (I never stick to them anyway), nor do I have any crafting goals (they don’t happen either), but I do have a word/theme – Simplify. I hope to finish a few things and not buy anything more (because I am finding my collection of yarn, fabric, embroidery supplies and books over-whelming and anxiety inducing).
I wanted to make a Christmas sock – I didn’t get the idea until a week before Christmas, so it was quite hard to find yarn (or yarn that had some chance of getting to me in time). I bought peppermint pie from passioned flower on Etsy. Great service and the yarn is beautiful – I will definitely be purchasing more for next Christmas (maybe in October?). I am just knitting a plain-vanilla sock – I contemplated attempting an after thought heel, but I wanted something easy that I could knit while sitting by the pool, watching TV etc.
You might notice in the above image that I am using Addi Crasy Trio needles – they’re fabulous. I don’t really like magic loop and when I use dpns I get ladders at the jump between needles, but these are brilliant.
I have also been working on my Live Simply cross stitch. This is the project from the Craftsy class. This is the first time I have used linen (32 count Belfast) and I love it. I prefer the way this looks to Aida. One thing I am struggling with is stitching path – I want to have as few jumps as possible (and I am not even that keen on weaving through the back of other threads to get to the next spot). It is a bit like the network Travelling Salesman Problem. Is there any technique or method I could use?
My sewing machine had a bit of a moment at one point – the bobbin and top threads got all tangled, there was a horrible noise and it ground to a halt, however, I am happy with the final results. I think more stabilisation and a nicer fabric and it will be fine.
We have been away at Rottnest. Miss P went on camp and we decided to go too. It is such a relaxing place to go – no cars, nothing to do but read books and knit. I’ve made progress on Miss P’s cardigan (the yarn is Jo Sharp Desert Aran Cotton).
Sunrise over the salt lake
Sunset from our cottage
On the way to the look out
Salt Lake – a different one
Progress on Miss P’s Cardigan
Blackwork Sampler in Progress
I like grids, lines and crosses and I have always loved the look of Blackwork – I love how something so simple can be effective.
I have been inspired by this book to make my own blackwork sampler (using machine embroidery). I didn’t want to copy that one exactly, so I have used different fills. There are a number of blackwork resources on the web (simply search for blackwork embroidery). I found this one, which lead me to this page on 16th Century fill in patterns.
This is still quite experimental – I think it might end up being too small and the jump threads might test my sanity.
I’m using the Cross Stitch module of Embird, which is super easy to use and it comes with some built in blackwork fills (but I have decided to make my own).
I am wondering what kind of stabiliser I need? There are a lot of stitches and I suspect I need a sturdy stabiliser to stop it puckering.