If you like Katie Fforde, you’ll like this one. Reminded me of The Rose Revived. I got it from here - (I love this place.)

Mister Pip, the winner of the 2007 Commonwealth Writers’ Prize, has been the novel of choice for many of my friends’ book clubs. For this reason I have been avoiding it but I finally succumbed.

Lloyd Jones, a New Zealand author, has written several novels (including This House has Three Walls and Book of Fame).

Mister Pip, for me at least, is about the power of literature to transform lives. To make us imagine different ways of living and being. Mister Pip is set in a small coastal village on the island of Bouganville during the 1990 civil war. A subject well know to Mr Jones as he was a journalist there during the conflict. The island is blockaded and most of the white people have left. Mr Watts, a white man married to a native women, agrees to teach the school. He reads Great Expectations to them. The children are entranced - the world of 19th century England becomes as familiar as their own village and Pip a member of their family.

 It was always a relief to return to Great Expectations. It contained a world that was whole and made sense, unlike ours.

and

As we progressed through the book something happened to me. At some point I felt myself enter the story.

This close relationship with a text creates problems, firstly with the more religious members of the village (like Dolores Matilda’s mother) and finally the dreaded ‘redskins’ (Government soldiers) who don’t believe Pip is an imaginary character and this has dire consequences for the villagers.

Matilda, our narrator, is 13 at the start of the story, but like Great Expectations, this story is related by the adult Matilda (across a vast distance of time and space). All of the characters are portrayed beautifully in a simple sympathetic manner - Mr Jones clearly liked his characters. During the course of the novel we watch Matilda’s relationship with her mother develop. It is a complicated relationship - there is obviously great love but also misunderstanding.

At first, Dolores enjoys hearing Matilda retelling the story of Pip, but then she fears Matilda’s obsession will take her away from her.

But that was the last time she asked to hear an installment from Great Expectations. And I blame ‘a rimy morning’. Although she didn’t say so I knew she thought I was showing off; and that I was biting off a bigger piece of the world than she could handle with language like ‘a rimy morning’. She didn’t want to encourage me by asking questions. She didn’t want me to go deeper into that world. She was worried she would lose her Matilda to Victorian England.

 The relationship between Mr Watts and Dolores is also beautifully written. At odds over the reading of Great Expectations they still respect one another.

 This was one of the times when I felt Mr Watts was personally addressing her. He was about to thread their old classroom debate into his account of the battle for the spare room. And she was ready.

And

On the sixth night, Mr Watts told a tale, his own I believe, that established the place of the nonbeliever. [ ... ]If you were my mum you might have felt you were listening to an admission from a heathen that everything he said or believed was wrong. I have come to think of it as his gift to her.

 Mr Watts is another wonderful character. He is the only white man in the village, married to Grace (who appears to have lost her mind - we learn more about that later in the book). He is a gentle tolerant man who provides the children (through reading Great Expectations) a means of escape from the hideous reality of their lives.

The characters don’t develop through the story they just become more themselves or their better selves.

I recommend this book, but must point out that it contains some horrifying acts of violence.

My book club chose to read this book because of the this review - it was very glowing.

The general consensus at book club was that it was a good choice; one person loved it and no one hated it - unlike a few of our other choices.

Here’s a description …

Eighteen-year-old Maya de Jong has moved from Warton, country WA, to Melbourne, in the hope of finding work and getting away from the stifling environment of a small town. She’s never really suited Warton, and though she loves her parents and her younger brother, Magnus, the town holds no future for her. Through a family contact in Melbourne she lands a job working at Global Imports, a small operation owned by the enigmatic fifty-year-old Maynard Flynn, whose wife Dory is dying of cancer. Maynard is entranced by the impressionable Maya and the two begin an affair. Business is not booming and after the death of his wife Maynard is convinced by a shady business acquaintance to move interstate to start up another line of business. Maynard persuades Maya to go with him, to drop everything and leave immediately. She agrees, and they go despite the fact that Maya’s parents are on their way to Melbourne to stay with her for a couple of weeks. Jacob and Toni, Maya’s parents, turn up at her share house and are told by Maya’s housemate Cecile that Maya has disappeared and she doesn’t know where she is. And so begins a search, both physical and emotional, that spans the couple’s past and present. For Jacob and Toni, their whole identity has been about being good parents, or being good enough parents. With the disappearance of their daughter, everything they have stood for, believed about themselves over the years is called into question and will affect not only their notion of who they are, but their relationship with each other.

 Ms London writes beautiful prose her description of the toilets in Maya’s office building is fabulous. This novel was written from many different points of view, which I liked, but then I always like first person narratives. I think she writes well about adolescent angst - particularly teenage boys and her descriptions of ordinary events are full of detail and very convincing.

I enjoyed reading about Perth and Warton - it’s always nice to read a story set in your own town. I thought the accidental meeting at the MCG at the end was a bit too neat (I won’t say more because I don’t want to spoil the story). However, one of my friends did comment that things like that happen all the time. About two thirds of the way through the book I was ready for it to end, but overall my impression is positive and I shall try to read her other works.

I’m a big Georgette Heyer fan. She writes regency romances (and some thrillers, but I’ve never read any of those). Her ‘regencies’ are meticulously researched and you can imagine the world of the ‘ton’ - her use of slang or cant can be a bit over the top, e.g.

‘He don’t look like a downy one to me’ objected the waiter. ‘And if he’s swallowed a spider he wouldn’t have handed me a fore-coachwheel only for asking of silly questions for him’

Her novels are very formulaic as she writes to her publisher …

It is a Regency society-comedy quite in my lightest vain. There is a certain young man who has appeared in several of my books - he was Cedric Brandon in The Corithian, Viscount Winwood in The Convenient Marriage - and some others!

She even refers to Mark 1 and Mark 11 heroes in her letters …

Mark 1: The brusque, savage sort with a foul temper

Mark 11: Suave, well-dressed, rich and a famous whip

Despite all of the above, I love her novels - they are like frivolous Jane Austen novels.

In The Foundling the Duke of Sale escapes his retainers and proceeds to have an adventure involving a run away school boy, a beauty and a charming cad.

The Duke was born after his father’s death and was a sickly child consequently he has been mollycoddled and protected all of his life. His uncle (and Guardian) informs him that he expects him to marry Lady Harriet Presteigne, as does Lady Harriet’s family, he is shocked and surprised, but still (and this I don’t understand) offers for her. While in London, he hears of his cousin’s woes and decides to solve his problems while pretending to be ‘plain Mr Dash’. He is involved in a series of rollicking adventures, but all ends happily.

The ‘foundling’ of the title is the beautiful Belinda who will go off with any man if he offers her a purple silk dress. Mr Liversedge, the villain, is hilarious. He is completely inept at blackmail and kidnap, but finally convinces the Duke to finance a ‘gaming hell’ on the continent.

Finally the relationship with Harriet. This was a bit disappointing. They were reluctantly engaged at the start (at least on the Duke’s part) and in love by the end, but I’m not really sure why of how the transition occurred.

The next Heyer on my list is Cousin Kate.

 I selected this book because it was recommended by Jane Brocket. I bought it from here (which, by the way, is a fabulous place - free postage!).

This is the blurb from the back …

I picked up a copy of the above book in a second hand book store (while on holiday). As I really enjoyed Larkrise to Candleford both the novel and the recent BBC adaptation, I thought I would like this one as well.

From a social history point of view it is really interesting - the period detail is fabulous and not many novels are written about agricultural labourers in the late 19th and early 20th centuries. However, the book was dull and I struggled to finish it. The characters didn’t seem as compelling as in Larkrise to Candleford and it was written in a sentimental manner that didn’t appeal to me.

I’m a bit of a Janet Evanovich fan (in some ways it’s a bit like saying I’m an alcoholic!). Someone from my book clucb recommended them about six years ago and I’ve been addicted ever since. They are all the same (I think there is 15 of them now), but as Dorcas Lane says in Larkrise to Candleford ‘they are my one weakness’!

Here is the stuff on the back …

Stephanie Plum has a way of attracting danger, lunatics, oddballs, bad luck . . . and mystery men. And no one is more mysterious than the unmentionable Diesel. He’s back and hot on the trail of a little man in green pants who’s lost a giant bag of money. Problem is, the money isn’t exactly lost. Stephanie’s Grandma Mazur has found it, and like any good Jersey senior citizen, she’s hightailed it in a Winnebago to Atlantic City and hit the slots. With Lula and Connie in tow, Stephanie attempts to bring Grandma home, but the luck of the Irish is rubbing off on everyone: Lula’s found a job modeling plus-size lingerie. Connie’s found a guy. Diesel’s found Stephanie. And Stephanie has found herself in over her head with a caper involving thrice-stolen money, a racehorse, a car chase, and a bad case of hives.

These novels are hilarious - there is lots of sex (not graphic), so not for the faint hearted, but all the characters are fabulous - particularly Grandma Mazur - so if you like fast paced, far fetched, trashy stories this one is for you - although you might like to start with One for the Money.

I bought this book because the  Australian Book Review claimed it was an outback Pride and Prejudice. Definitely misleading advertising! Unless their talking about the small cast of characters in a country village or maybe the annoying mother.

Here’s the blurb

“A quirkily engaging comedy of small town manners. Set on a Victorian family vineyard in 1894, it’s the sort of provincial novel you might expect if Pride and Prejudice met Steele Rudd’s On Our Selection … While it’s the social and romantic intrigue that carries the story, it’s Ham’s wickedly black humour and finely researched social observation that deliver the real joy of the book”. The Australian

“Rosalie Ham’s second novel is unforgettable and unputdownable as her first, the quirky The Dressmaker… Ham is a gifted storyteller. Her ideas are fresh, unusual and entertaining, and result in a marvellous story steeped in an Australia at once recognisable but also new. There’s not a cliche within a cooee”. The Sun Herald

Here’s a plot summary from Dymocks

Phoeba Crupp is a young woman who lives with her parents and sister on a small farm near
Geelong in the 1890s. Her father is an eccentric ex-accountant who moved his family from
the city in order to establish a vineyard, a decision her mother bitterly - and loudly - resents.

While her sister makes a play for the local squatter’s son, Phoeba is content with her best
friend Harriet, until circumstances push her towards the world of men and money. ‘Summer
at Mount Hope’ has a lot of the black comedy of Ham’s first novel, ‘The Dressmaker’, but
also contains a more serious strand about the efforts of a woman a century ago to be
free.

I was disappointed with this novel - it was depressing. No one ended up with what they wanted. Phoeba settled for a marriage of convenience to escape her family, Lilith married the squatter’s son, but by then they had lost the farm and they had to move back to the Crupp’s place (hence Phoeba needing to marry Hadley to escape) and Henrietta ended up being an unpaid skivvy for her mother.

I chose to read this book because Jane Brocket (The Gentle Arts of Domesticity) recommended Elizabeth Taylor - she recommended At Mrs Lippincote’s - however, The Blushwas the only Elizabeth Taylor book I could lay my hands on (I bought it from Ebay).

Here is the blurb on the back …

In these short stories, first published in 1958, Elizabeth Taylor pursues the nuances of ordinary life with her usual dexterity. There is the upright Mrs Allen who unwittingly provides an alibi for Mrs Lacey, her ’slackly corseted’ home help; Emily who has written fluent and amusing letters to a distinguished novelist for ten years but descends into small talk when they meet; Katie, Natalie and Frances, preparing for their first dance amidst a cloud of talcum powder and bathroom giggles; and the strained conversation between ex-lovers Peter and Catherine at her children’s seaside Barbecue. ‘Here Mrs Taylor displays her gift - her extraordinary gift - for sheer situation - not a tale here fails to expand in the imagination of the reader’ - Elizabeth Bowen.

I did enjoy these stories they have an old world charm - very middle England. The situations are ordinary, but vividly described and the inner life of the characters is described in an unsentimental manner that none the less makes you feel their pain, frustration, etc. These stories are all about character, so if you like a story ‘where nothing really happens’ then these stories are for you.

I’m definitely going to track down some more Elizabeth Taylor novels probably from here.

This book was my latest treat and a treat it is - the pictures are stunning. I don’t need another quilt book, but I couldn’t resist this one.

In the first section Fassett writes about the two themes of the quilts (triangles and framing colour or print). The first image below is one of the triangle quilts, the next is framing colour and the third framing print.

Goes Around Comes Around

Earthy Frames

Sunny Frames

And in the second section he discusses the source of his inspiration. For example, one design was derived from a porcelain box.

I’d really like to do something like the Earthy Frames or Sunny Frames (see images above). Possibly using my Japanese Fabric or maybe all of my nursery prints.

The Jane’s Diamonds quilt is lovely (and I am a keen Jane Austen fan - check out my crosswords), but I don’t think I’m up to cutting all of the diamonds.

The Brick Bracket Medallion looks fabulous too - I like the way one border seems to overlap another.

Then there is an essay from Amy Butler - a bit of a biography and then some information about her sources.

And then there are detailed patterns for 20 quilts (with a star rating - for example the Brick Bracket Medallion is one star), a technical patchwork section, a glossary and brief biographies of all of the contributers.

I think this book is great and I definitely recommend it to anyone who is interested in quilting. More for the inspiration than the quilting know-how. The way the colours and shapes are combined is divine.